21-03-2025, 08:28 PM
FORMAT XXXIV: a prestigious and glossy showcase for Istalia
Between music, colors and a lot of emotions the festival marked the rebirth of a nation that looks to the future with hope and desire to live
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July 5628
The lights turn off at Studio 2 of the SERIN National Sound Stages in Romula and on the 34th edition of FOMAT XXXIV after a great show that amazed Istalia and the world.
Presented and conducted by the SERIN number one host Gianluca Ghini, FOMAT XXXIV represented a great opportunity for the Istalia not only to celebrate music but also to reaffirm its presence on the international scene. After difficult years, the organization of an event of this magnitude marked the return of the country among the nations capable of welcoming the world, showing its newfound stability and desire to share through art.
This year's edition, entitled "Peace through Music", carries with it a profound meaning: the name chosen, in fact, is not accidental, it is the expression of the nation's strong desire to leave behind the wounds of war and to build a future based on peace and collaboration, a message shared by many people through the world after the difficult decades of 56th century. The FOMAT of 5628 thus becomes a symbol of rebirth for Istalia, an Istalia that longs for peace, lightheartedness and hope.
Representing Istalia on stage was the song "E' solo un attimo" by singer-songwriter Marco Tommasi, a song that, among all those submitted to SERIN's judgement, despite the fact that tecnical doubts were raised, was chosen because according to the selection committee it fully embodies the spirit of the moment in the country. The lyrics, emotional and full of meaning, tell of the beauty of life and the importance of living it to the full, a message that has matured in the hearts of the population after the long years of conflict and suffering. The choice of this song is a further sign of the country's desire to look forward with optimism, aware of the value of every moment.
The Festival gave the audience moments of great spectacle and competition, with performances that kept everyone in suspense. The challenges between the competing songs were fought until the last vote, with some songs that quickly won the favor of the jury and the public. The Soundstage was a riot of colors and passion, with representatives of the different nations enthusiastically supporting their artists, waving flags and singing choruses. In the end, after an exciting wait, the victory went to "A Racing Heart/Racing Bihotz-taupadak", performed by the Etxea Kundriatian band "IRO", a song that stood out for its engaging melody, earning the title of winner of the 34th edition of the festival by just one point more than the second-place finisher, the Likatonian band "Sunset Reverie" with their song "Someday". The Istalian representative, Marco Tommasi, instead, unded up in third place with his "È solo un attimo".
The other placements were:
- 4th place: "Xamos" by Mara
- 5th place: "No Me Digas Que No" by Monos
- 6th place: "Pop Me, Amadeus" by Die Falcon
- 7th place: "Razem" by DJ Teodor and Julia
- 8th place: "Fall in Love" by Alecia Manchester
- 9th place: "Sudno" by K-Doma
- 10th place: "March on!" by the Rutanian Military Marching Band
This edition of FOMAT was charaterized also by a bit of political controversy followed the decision to accept the participation of a band representing the Legionary Kundrati as well as the Military Marching Band of Rutania, with many grimacing at and criticizing the acceptance of representatives from two extreme fascist dictatorships.
While SERIN, in response, declared that it was a deliberate decision to leave politics out of FOMAT, the audience present at the Festival strongly expressed their opposition to the presence of the Rutaniana and Legiona Kundrati representatives, whistling and howling at the artists during the performance, so much so that both musical groups left the stage as soon as their performances ended without spending time with the host Gianluca Ghini. Notable the shout from the audience against the rutanian representative once entered the stage: "Thaller dogs, out of Istalia!". Another moment of political tension arose when the Kundrati voting representatives announced that they refused to include the Etxea Kundratian "IRO" in their vote ranking (although considered by the organizers as placed in last position in their ranking).
Despite this little flaw, FOMAT XXXIV of 5628 was a great show, an exciting event, which left a deep mark in the hearts of the audience and the artists. Throughout the duration of the festival, the performances brought the rhythms and sounds of the participating countries to the stage, transforming the theater into a crossroads of cultures and traditions. Each artist has been able to tell, through their music, the identity and soul of their country. More than a simple competition, FOMAT XXXIV has confirmed itself as an event capable of uniting different nations in the universal language of music, strengthening its role as a prestigious international showcase.
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