Kalistani Major History

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FStop releases S/T on ARC
"Pella Avenue Mixtapes" performed modestly well
Dana, Suldanor
December 12, 5048


FStop S/T contains more polished music than "Pella Avenue Mixtapes"

After the modest success of their debut record "Pella Avenue Mixtapes" and the conclusion of a short showcase tour to support the release, Dana Pop rockers FStop have gone back into the studio to produce a record that is far more polished than the debut. The Self titled Album is released on ARC Records today, and enjoys nationwide distribution.

"We were writing a lot of music when we were on the road," said lead singer Billie Pepper. "Plus we had a couple songs left over from the first recording session that we ran out of time and couldn't put onto the record. So it was fairly easy to record this new record and strike while the iron is hot."

Gerald Pepper, who earned a production credit on this new record, said, "The sound on the first one was pretty rough. We weren't working with a label producer, and it really sounds like it. The takes are pretty rough and put up against the new record, it sounds more like late drafts of demos. On the new record, we're not doing one takes anymore: its not a live record like much of Pella Avenue was."

Thematically, the Self Titled album is slightly more mature than the occasionally silly, poppy feel of the debut. "We aren't just singing about partying and getting with people on this record. Some of the songs we sing are about growing up and having to find work or pay rent, some are talking about kids who seem to not really have a way. I did one song (Lost) which is about my friend Donna's suicide," said Billie Pepper.

But not all the songs are super heavy. "We did a funky surf jam called 'Shoot the Curl'," said Bassist Teddy Singh. "And our first single from the record, 'Live on TV' is a ska punk tune that I bet will make the crowds jump!"

The Album is expected to do well, especially in an environment where there seems to be mostly local markets and scenes, and no major contenders for the attention and Rubles of the Nation. The single, "Live on TV" which talks about how kids live their entire life watching TV, enters heavy rotation on Music 1 and M7 this afternoon, and is backed by a major promotional push by ARC.

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FStop hits the top of the Charts
"Oi! For the World!" hints at a new direction for the Band
Sulari, Suldanor
March 3, 5049


Dana Poppunks FStop in the Video for the song "Oi! For the World", which reached No. 1 on the KRTVN Hot 100 last week

FStop, the band who formed last year in Dana and has released two LPs, has topped the pop charts with their new track "Oi! For the World". This non-album single was released just after the new year, and features a danceable upbeat tune that can be associated more with Oi!, a rarely employed form of punk that is associated with working class culture. The new single becomes F-Stop's first song and the first Oi! track to reach the top of the charts.

"We tried to move more toward the skaters and the whole working class ideology," said Bassist Teddy Singh of the song. "We're finding that a lot of our shows have whole contingents of people who keep their hair cut close and girls who wear straight bangs and all look like they just came to the show from the bar. Its pretty wild, and they really respond when we play the faster stuff. But we keep the melodic stuff in there too. And we're starting to do some more reggae too."

A lineup change was announced just before the single was released. Gerald Pepper, who is lead singer Billie Pepper's brother and primary keyboardist, has left the group, due to his desire to start a family. "Yeah, he went out and got married, and I think is back working his normal job now," said Billie Pepper. The group also replaced their horn section with Trevor Grimes, on trombone and "Mad" Horace Ventura on trumpet. "The other guys sort of wanted to do more ska, but we're moving in a different direction, I think," said Pepper. "So we got two dudes who seem to really be onboard with our vision." Grimes and Ventura both played backup for FStop during last fall's showcase tour and were previously in the ska band "Skankin Washboard."

As "Oi! For the World" continues its run on the pop charts, we are also beginning to see new poppunk and bands rising in Suldanor and in Ananto. ARC has signed one recently: A KME poppunk act called Los Tigres del Sur, and they tour the Republic the fall of this year in support of FStop.

Check out FStop's new video "Oi! For the World" right here.
[Video: https://www.youtube.com/watch?v=ZFLExwIQKto]

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Dana Poppunks The Progeny Form new Record Label
Aimed at providing underground Dana groups wider distribution
Dana, Suldanor
April 4, 5049


The Progeny is still poppy, but offers a sharper edge to the Dana Punk scene than colleagues FStop

In the wake of the success of Dana poppunk band FStop, A&R executives from Kalistan's four main record companies, KMI, ARC, VDR, and LTD records have descended once more on the northern Suldanor town and surrounding environs looking for the next big hit. But one Dana punk band is not interested in competing with other members of their scene. Dana poppunks The Progeny have joined with recording Engineer Tomas Estrada to found Sulari-based Last Chance Records, specifically to promote Southern Kalistani punk and rock bands, and punk adjacent music.

"We looked back on the structure of Kalistani music," said The Progeny lead singer Dutch Gilbert, "and even the independent labels are no longer independents. The Kalistani Music Industry is ruled by four major labels and all independent labels are just imprints and vanity labels that are affiliated with the Four Majors. But at the end of the day, those majors focus primarily on the tastes of Kaliburg. The Radio plays what Kaliburg audiences want to hear. M7 plays what Kaliburg audiences want to hear. In Sulari and Dana, we get to hear what Kaliburg Audiences want to hear. Meanwhile, Kaliburg hasn't had a huge act since like (Jennifer) Stepanov, and she wasn't really all that big before she died. Meanwhile, Dana and Suldanor has dominated the music scene for almost a century and a half."

Cofounder Tomas Estrada, whose main experience is behind the boards, laid out the Label's focus. "We want to sign Punk and punk adjacent acts, and be the primary outlet for Punk, ska, and hardcore acts in Kalistan. Our ethic is DIY: We will give our artists free reign to make the kind of record they want. We'll make the facilities and equipment available for a nominal fee, because let's face it: punk bands aren't rich. We'll handle pressing, publicity and distribution. And we'll take a cut of the sales on the backend, so if the record does well, so does the band and so do we. But we want to give punks a chance to get heard, and get the message out about punk. So we'll operate a bit closer to our margin than the majors ever could, and project to make up any losses with scale."


LCR Logo

While Gilbert brings years of experience and credibility among the local Dana scene, Estrada brings a controlling interest in Dana Records, a local pressing company. "We're going for a vertical monopoly," said Estrada. "We'd like to have every punk band in Dana and Sulari on our label, but we won't just be signing bands: We're also pressing the records." Gilbert noted that the new company also has an aggressive PR Strategy. "Yeah, it involves guerilla marketing. Like hiring a gang of kids to promote our shows, going to records stores in every corner of the Republic and getting records placed, and playing LCR music on college radio stations. We aim to put a small army of kids on the payroll by year's end just to work promotions." LCR also has stakes in several clubs in Dana, and owns one punk rock venue outright in Sulari.

"We are bringing all this into the label so we can help these bands record and distribute their music without having to be rich," said Estrada. "Will all the music be great? No, of course. Punk rock is very often just garbage. But what matters is if our guys do it with heart. If a band comes in and doesn't leave everything in the booth, we're not going to be satisfied. We're not going to half ass anything! Punk is a call to revolution! Every single record we make will have that kind of intensity, or we won't release it."

The Progeny plans to begin recording their first record on LCR late this summer.

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Neveras City Stoner Rockers 420 Joins LCR
Band brings fusion of rap, rock, funk and Reggae to Suldanor Label
Neveras City, Neveras
November 18, 5050


420, the Stoner Rock Quintet from Neveras adds diversity to the Upstart LCR

420, longtime local favorites among snowboarders in Neveras' Mountains and perennial tourers, announced to their small but rabid fanbase that they had recently been signed to LCR records, and would finally be releasing their first LP "Boombox" in the spring.

"We've been touring this district, in a beat up van for about 4 years now," said lead singer and guitarist Nicholas Ross. "We've been everywhere in Neveras and Suldanor, and you know a few places here and there in Vrassa and Odufaray but like, our sound is mainly for partiers and stoned kids who spend their lives looking for great snow and great surf. With this record, we'll be all over the Republic, teaching them about our blend of cool vibes and hard thrash to carve up a wave or face to." Fellow lead singer and MC Guillermo Rodriguez agreed. "Its all about keepin blazed, chillin out and moshing with this band. If we aren't getting you hype, we ain't doing our job!"

LCR has had a number of minor hits since their inception nearly 2 years ago. Label Founder's The Progeny scored a Top 100 record with their debut "Firestarter" and Suldanor Hardcore punk quartet The Youth Crew hit a gold record for sales over 100,000 of their S/T release, the highest selling HxC record in Kalistani history. With the addition of 420 to the label, LCR makes a more determined move for the mainstream of Kalistani Music.

"I think, like, if you were to describe our music," said the band's self described "slapaddict" bassist Doggo, "It's like if you smoked a mountain of herb with your bros, and then like drank a beer, and went surfing. It's nice to hop into the van cruise down the hill, as we say, and play a rockin show and then instead of going back to the hotel with a bunch of groupies, and smashing a hole in the wall with a TV, you like go surfing and all these people are out there catching wave, and it rules. I love Sulari!" That incomprehensible statement seems to oddly enough describe the band's funk/rock/rap/reggae fusion sound, fueled rather explicitly by the band's copious, even by Kalistani standards, consumption of National Product. "We don't play or surf sober," said Doggo.

Look for 420's debut "Boombox" in April of 5051, on LCR.

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420 Releases Debut Album Funkrawk
Mix of Funk, hip hop and hard Rock defines new fusion sound for Kalistan
High Bong, Neveras
April, 20, 5051


Funkrawk brings a sound that aims at nothing short of unification of the Scenes of Kalistan

Neveras recording artists and local scene fan favorites 420 have released their debut album, Funkrawk on LCR. The song, a 13 song tour de force fusion album covers several genres of music, often in the same song. The primary genres for this bending stoner album are hard rock and rap, infused regularly with funk reggae, ska, and even lounge on occasion.

"We're primarily a hard rock band," said bassist Doggo, "but you know, its kinda hard to tie down just what even is Kalistani music and I think like when you're out like staring at stars at night while eating mushrooms and you start to think, man I wonder like how much energy there is by just a breeze of wind of a bolt of lightning, and you start to feel like this tangible electrical connection with all the plants and animals all around you. And then I started thinking, like, how hard would it be to harness that energy? Like nobody would ever owe a cent for electricity ever again, if we could just harness the static energy in a single gust of wind." Ever incomprehensible but oddly to the point, the band's music is indeed very energetic.

Nicholas Ross was more succinct, "What we're trying to do is unite the scenes. Unity is the key to all 420 songs. If we aren't singing about unity, we're singing about the sh-t that happens when we aren't united. That and we throw some lyrics in for the ladies, you know. If we don't have ladies at the show, what is even the point?"

Due to heavy advanced promotion and a killer hard rock/rap debut single, a live version of the album cut "Indo" recorded live at their New Year's show from 5050 Funkrawk debuted at number 5 on the Kalistani Modern Rock Albums Charts, and presold more than 450,000 copies making it LCR's biggest record to date. Limited international availability might slow the record's ultimate sales, as LCR doesn't have international distribution chains set up the way the more established labels do. But domestically, it seems that the labels' attempts to appeal to the broadest fan base possible early on through eclectic bands like 420, who appeal to anyone in Kalistan who smokes Dah Gold at least once a week, or pop punks The Progeny, seals its place in the Kalistani Record Industry for a long time. Whether the upstarts can cut into the main alternative label ARC, or the big dinosaur KMI's market share.

420's Debut album Funkrawk is now out in both terrestrial and online record sellers, and is available for streaming on the internet.

[Video: https://www.youtube.com/watch?v=yONF0IWl...nciGSJWmnw]

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FStop Tops Charts Once More
Poppunk LP "Suburban Hellscape" Breaks records across Republic
Suldanor, Sulari
November 10, 5051


ARC's release of FStop's Suburban Hellscape debuts at Number 1 on Album Charts

A Battle of the Bands is heating up in Suldanor as FStop release their long awaited third Album, titled Suburban Hellscape on ARC. The album debuted on both the Modern Rock Album Charts and the industry leader All Republic Album Charts at Number 1, selling more than 1 million copies in its first week after release. The massive debut sets a record for Modern Rock debuts, and puts the poppunk band from Dana back on top of the Kalistani music industry.

Other accolades followed the honors at release: The lead single from the Album, the skapop jam "Only a Girl" hit number 1 on M7's request show "Week in Demand" and blasted into Number 1 on the KRTVN Hot 100 Charts after spending only two weeks on the chart, making it officially the highest charting poppunk song in Kalistani History. This monster record's international sales threaten to surpass domestic sales of the record, topping 1 million units last week alone. Strongest sales were recorded in Northern Seleya, with Gaduridos and Yindala showing strong performance.

The band did not seem too surprised by the performance. "We've played some huge shows recently, where we previewed some of these songs to our audience," said singer Billie Pepper. "So fans knew what to expect, sort of." For this album the band teamed up with ARC producer Buzz Hamilton, who worked with FStop on their non-album single "Oi! for the World", and has both production and engineering credits on half a dozen ARC records to his name. "We really liked working with Buzz," said Pepper. "He had a different idea in mind often than we were thinking, and his motto was 'Think Bigger'. He has the vision." Together the band created a much more refined sound that leaned heavier on the rock side, and used ska and punk as flavoring.

While "Only a Girl" is the lead single, artistically, there are signs that the band is maturing. The circus themed "The Clouds" which was written by Gerald Pepper and given to the group for the album, shows growth toward a more mainstream hard rock, which will of course broaden their fan base in Kalistan and abroad. But the band keeps one foot solidly in the poppunk and skapunk worlds, with moshable tunes like "Came up with the Breeze" and "Pardon Me", while their second single, "Answering Machine" takes on Reggae Rock Fusion which is currently the staple of 420.

Praise for the Record also came in from Critics. Jeff Bluefield of the rock website "Kaliburg Today" gave the record 4 out of 4 stars, saying, "When I was walking around in downtown Kaliburg yesterday and saw a jeep filled with Red partisans blasting "Only a Girl" out of their stock militia speakers, I knew we had something on our hands that was different and unique." Vera Ivanova Schultz of "All Kali Rock" said "I give this record an A+. Pepper's voice, and the things she is singing about speak to the whole generation, who can and will reward this band over and over again, until Suburban Hellscape reaches saturation in the Republic."

Suburban Hellscape from FStop on ARC is available across the entire Republic, at both terrestrial and online Stores, and is in heavy rotation on KRTVN stations.

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420 S/T Drops Today
First Pressing of surprise release sells out within Hours
Neveras City, Neveras
August 12, 5052


420's S/T represents peak fusion sound

Perennial stoners and consummate live performers 420's legions of fans are rewarded today with an album which has been rumored for months, but recorded entirely in secret and with no advance promotion. 420's S/T, which fans and critics are already calling "Blue" was released today across the Republic. When word of the album's release hit Radio 1 this morning, fans flocked to record stores and proceeded to buy the record out. By evening, the only copies left from the first pressing were in a warehouse destined for international sales. The record company, LCR, quickly ordered a second pressing of over 500,000 copies. According to LCR spokesmen, more than 1 million copies of the record have already been purchased, both in person and online. This new S/T quickly outsold the sleeper sophomore album Sodbuster which was released in the wake of FStop's massive Suburban Hellscape and got washed out by the hype around that album.

The new S/T album represents the height, thus far, for 420's "stoners' brew" of hard rock, rap, funk, and skapunk fusion. The front cover features an embossed phantogram of the band smoking Dah, while the back has a setlist and dedicates the album to "All the Stoners in the Republic". The songs are imminently accessible and danceable, a true blend of stoner rock both for those who mosh and those who noodle. The fusion represents all major streams of Kalistani music, and measures each about equally, including fuzzy guitars, syncopated lyrical rhythms based in hip hop, slap and rubber band basslines taken from funk, and a snare that sounds so tight you could surely bounce a ruble ten feet into the air off it.

420's newest release keeps the Kalistani "Battle of the Bands" going, as 420 and FStop trade records and hype around releases. Other bands are joining the fray. Dana's The Progeny released their second record in LCR in July, Keep em Separated, to impressive sales, and Kaliburg poppunks Dias Azules, are expected to drop their first major release on LCR in September. As more bands jump into the fray and the poppunk and fusion sounds continue to sell huge amounts of albums to Kalistani and international consumers, there is already talk of a new GanJam in the works as well. Spokespeole and press releases from KMI, ARC, and LRC have confirmed that the idea has been floated for an all industry festival of some sort in Kalistan within the next couple of years, and ODEN K has also expressed interest in the event.

Meanwhile, as 420 moves once more to dominate the charts, we will continue to cover the Battle of the Bands and will inform you of all new releases as they happen!

You can purchase your copy of 420's S/T online at the moment. Stores will get new shipments in each Tuesday, but if you want to listen to the album right now, it is also available for streaming! The lead Single, "Just Let me Do It Now" will be officially released early next week.

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Suldanor Farmer wants to end 'Ananto-Centrism'
Grant Williams, founder of Folksparty campaigns for more mainland services
Lucid Valley, Suldanor
September 5th 5052



Grant Williams, founder of Folksparty

Grant Williams, a hard worker from a long line of farmers from Lucid Valley, Suldanor has had a fruitful campaign for more services, better transport and overall more focus on mainland Kalistan's conditions. He has slowly gained a substantial following and his newly founded Folksparty is growing in membership across mainland Kalistan. Williams has agreed to an interview with the Republic.

T(he) R(epublic): You have had quite a surge in following. What do you think is the key to your success.

G(rant) W(illiams): Well, I think it is a combination of both connections and of course helping many hardworking Kalistanis have a chance at a better life.

TR: Of course. What about the party? The Folksparty is growing too. Can you elaborate to the readers what the party's agenda exactly is?

GW: The Folksparty is for the working class, and especially for the people in mainland Kalistan who are left in the shadow of Ananto.

TR: And what lead you to the founding of this party? Are you planning on going for the presidential race?

GW: Well, I'm quite bored of the international community seeing Kalistan only as Ananto. Ananto-centrism is not the way forward. No longer will us mainlanders be left in the shadow of the big city. As for the presidency, who knows what the future will bring, but as for now it is not in our interests. No further questions, I have a lot of paperwork to do.

Will the new Folksparty bring an end to this so called "Ananto-Centrism"? Only time will tell that, but the party seems to be growing more popular especially in rural areas of high agricultural output.

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The Progeny join the Battle of the Bands
Fracture takes over top spot on Modern Rock Chart's, "Fracture" scored Number one on Hot 100
Dana, Suldanor
October 1, 5052


The Progeny's third record, Fracture, Brings poppunk back to the Number one spot

Dana poppunks and LCR label founders The Progeny finally scored their first number one as the wave of Suldanor punk continues to wash over the Republic with the release of Fracture on LCR. The success of The Progeny has long been anticipated, by fans and critics alike, and it seems that the band has finally met expectations.

"When we recorded our last record," said Dutch Gilbert, "we were a little bit ahead of the curve. After that, we got so busy running the label and touring, and this record just sort of took its time matriculating. But its release now, at the height of this latest vogue more or less ensured that our record would do well."

The string of number ones, from both label mates 420, and from FStop on ARC vindicated Gilbert's faith in this sound, which is at the same time really hard rock played at punk speeds, but with an eye to the tastes of fans. "We are a bit punker than FStop, and while we may occasionally throw in some ska here and there, we are definitely not the fusion sound of 420," said Gilbert. His band's themes are also a bit darker, seeming to draw in some themes from Grit, the hard rock movement from Vrassa that blew up in the Republic and disappeared just as fast. "I wouldn't say it's a traditional sort of punk, though," continued Gilbert. "We are not afraid to sound like we are having fun, and I think people can related to the sound."

The record, whose cover features an xray of Gilbert's shattered humorous bone from a traffic accident more than 10 years ago now, talks a lot about blight, rage, alienation, and self loathing, but does so with a smile. It's a nod to the other side of punk which bands like FStop and 420 have so far been attempting to avoid. "We're not trying to bum anyone out," said Gilbert, "But life ain't roses. Sometimes people go dark, sometimes they feel terrible about themselves. This music can be used to not only acknowledge this part, but also to say, 'hey look, you aren't alone, and you certainly don't have to live in that forever.'"

The lead single of the album, "Fracture" is probably the most straightforward punk song on the album. It is a tongue in cheek nod at keeping integrity while running a poppunk record label. "Did we sell out? Maybe some gutter punks will say so, but really, this is business. If I want my music to be heard by millions, I gotta sugarcoat the strychnine." The lyrics that talk about being a trendy a--hole insist that The Progeny is doing things their own way. Nobody can disagree that starting one's own record label to ensure integrity meets that definition.

Fracture is out now, and sits on top of charts across Kalistan. It is quickly headed toward platinum status, and has already reached many times gold both domestically and internationally.

[Video: https://www.youtube.com/watch?v=ljhnjBgrtNs]

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Dias Azules releases Insomnio today
Anantonese Punks focus more on Punk Rock ethic, can't help sounding pop
Kaliburg, Ananto
April 3, 5053


Insomnio tries to be punk, but due to the zeitgeist, ends up sounding like rock

Conspiculously absent in the Wave of poppunk emanating from the Mainland over the last several years has been participation by Antonese Bands, most of whom seem intent on continuing the EDM and RF music trends which have been the island's mainstays for decades.  But a long anticipated LCR release aims to change that.  The group Dias Azules, from the Kaliburg punk underground centered in the Southeast Kaliburg neighborhood of Capital Hill and the adjacent campus of Kaliburg Republican University, dropped the record Insomnio today.  The album, released in Vrassan and separately in Egelian, represents the most determined effort by the trio to break into the mainstream, and join their southern cousins in making music that has been topping the charts for the last few years.

The record has great potential to succeed in the current music environment:  At no other time in Kalistan's long and industrious cultural history has punk so dominated the music scene nationwide.  And we should say, given Kalistan's position as the musical center of Terra, at no time have punk bands reached such broad audiences abroad either.  But success has eluded Dias Azules to date because of the band's consistent efforts to sabotage their own careers, due to some odd commitment to a "no sell out" ethic which is prevalent among Kaliburg punk bands.  Lead singer and guitarist Jose Mas Fuerte said this, in 5049:  "Punk is about like purity of motive.  Its not about making money:  Nothing we ever did was for the money.  It was all to spread the punk message.  So when some suit comes to us and offers us a stack of cash, we gotta say no way."

That changed when the band was approached by LCR two years ago and offered an opportunity to record a record with the upstart label.  "We paid for it ourselves," said mas Fuerte.  "Like the label is only distributing it.  So, once the back end is taken care of we can sell it for nothing if we want to.  When we do make it, if it sells three or four hundred copies, that will be a good day for us."  Neither LCR or Dias Azules knew how huge the sound that LCR distributes would get at the time, though.  Projections from industry analysts predict that Insomnio will eventually join its labelmates in platinum territory, and could possible join FStop's Suburban Hellscape in diamond territory by the end of the year, especially if Dias Azules decides to tour in support of this record. 

The tension is that in trying to not sell out, they are being overtaken by popular tastes, and their music, which aimed at sitting far outside the mainstream is now mainstream.  What was once punk snottiness and counter culture expression is now the very definition of popular preference, and millions of kids and adults are pouring their money into building record collections of music that sounds in many ways similar to Dias Azules.  Mas Fuerte seems nonplussed and a bit bewildered by the whole development:  "Well, I mean, at least we're keeping it real."

What Insomnio is then is a straight punk record, complete with attitude and up-tempo energy.  The record has 14 songs on it, and clocks in at just over 32 minutes, making it a very quick listen.  But each song sounds more like up-tempo hard rock than the band intended; this is not bad, especially compared to previous releases from this band which were a combination of live performances and 4 track recordings, all of terrible quality.  Insomnio stands with the recent release by label mate The Progeny in terms of quality and energy, and is genuinely good rock, devoid of the sophomoric vulgarity of many of the earlier tracks from this band, but focusing more on topics of alienation, anxiety, and escapism through community in the scene.  The Egelian versions are quite a bit more enjoyable still, due to the punnery that Mas Fuerte uses in his loose translation of the Vrassan.  Bassist Michael Dornitz handles rhythm duties for the band very well, and quite frequently adds brief solos in place of false stops, to keep the energy flowing.  And the drummer, Alberto de Tres, is perhaps one of the best timekeepers in modern Kalistani rock.  Critics who reviewed this album called him "El Metronomo". 

The record is a solid contribution to the cannon, and standout tracks include the medley "Comida para la Mente/Disaffected" and "Anxiety Cantana"  True to the form, any one of the songs on this album could be the lead single from the record, but as of today, none have been officially released to the radio as such, and so DJs have been playing their favorites across the Republic, which has the consequence of eliminating the concept of a deepcut for this record.  Within the next week, regular listeners to KRTVN Radio 1 will hear the entire record, as each song has been placed into regular rotation.  This may prevent the record from entering the singles chart, but will guarantee it a top spot on the Album Chart within three weeks, if sales are as predicted.

Listeners can listen to the full Vrassan version of Insomnio by Dias Azules here.
[Video: https://www.youtube.com/watch?v=0pXx8QxIzok]